Dali Photography.
Not everybody trusts paintings but people believe photographs - Ansel Adams
Documentary Photography:
My first real introduction to documentary photography came in the way of Dorothea Lange’s Migrant mother photograph and other works from the Farm Security Administration commissioned photographs. The power of that particular photograph sticks with me when I think about the type of photography that I would want to produce. I think that Lange herself summed documentary photography up well by saying “Photography takes an instant out of time, altering life by holding it still.” The migrant mother photograph is one of the best known photographs of the twentieth century (Wells 2004). The photograph transcends its location and context and becomes a universal reflection of the human story.
Works from the Farm Security Administration commissioned photographs
Douglis states (2009 p. 40) that photography presents a story in an abstract way in order to express those essential human values we want our viewers to think about understand and appreciate. If a story can create empathy and let the viewer vicariously live through whatever we experienced as we made our images, all the better. If we can make pictures that trigger the imagination, our viewers may ultimately see images in their own mind's eye that go well beyond our intentions. Through my photography I am particularly interested in creating the storytelling aspect that Douglis talks about. I think this is the way to engage with viewer and get them to come back and tell people about the work that you are doing.
I am particularly interested in people and using black and white photography to tell the story. For me black and white photography connotes memory and helps tell emotion. Michael Coyne states that the potential of black and white photography should not be over looked. Black and white images can show human shapes, skin textures, subtle tones and shades of photographic meaning at times when colour would be a distraction. The tonal balance between a rich deep black and a clear clean white can embody or powerfully suggest a wide range of feelings and emotions.....One of the most compelling reasons for shooting in black and white is that without the constraints and considerations of colour you have the freedom to concentrate on the essential qualities of the person you are seeking to portray.
It also ties into my major which is journalism and media. Documentary photography is the key type of photography used. Hope says that when an experienced photographer brings compassion and understanding to a situation it can result in an “image that freezes in time its most poignant moment”. Hope further adds that photojournalism can throw light onto stories that those in power wish to keep in shadows or bring attention to a particular cause that may otherwise go un-noticed. There is also the opportunity on the lighter side to capture the absurdity of the human race.
Photography and Music:
I am also interested in the power of combining music and photography to enhance, change and manipulate the viewers viewing experience. Music is used throughout a variety of mediums especially film to generate a particular emotion or feeling from the audience. I think the same is very possible in photography.
Here are some photos that I took to tell stories. I combined them with music tell help tell their story.
There is great power in what can be achieved in photography and through my photography I would hope to create some sort of emotion from the viewer. Building towards the final assignment I will be pursuing digital photography as my means of production. I would love to pursue film photography but given my lack of experience in both photography and printing I feel like I would be better able to acheive the results I would want in my photographs through digital photography. I also depending on the subject would hope to include music with my final work as a way of enhancing viewer experience.
References:
Wells, L (2004). Photography: a critical Introduction. 3rd ed. New York: Routledge. p. 35-48.
Douglis, P. (2009). Telling Stories; editorial photography. Available: http://www.entrepreneur.com/tradejournals/article/202919836.html. Last accessed 16 July 2010.
Coyne, M (2005). People photography. London: Lonely Planet.
